The Flow of Portuguese
  • Home
  • Table of Contents
    • Sound System Primer >
      • Vowel Awareness
      • Oral Vowels
      • Consonants
      • Nasal Vowels
      • Phonetic Notation key
    • Course Tutorials >
      • Your First Recording
      • Benchmark Exam #1
      • Sound Primer Submission
    • Phonetic Training >
      • Introduction
      • Basics
      • Construction
      • Memorization
      • Mimic & Meaning
      • Benchmark Exams
      • Final Page
    • Song Lessons >
      • Unit 1 >
        • Coisinha do Pai
        • Vou Festejar
        • Azul
      • Unit 2 >
        • Eu Sou o Samba Part 1
        • Eu Sou o Samba Part 2
        • Carolina 1
        • Carolina 2
      • Unit 3 >
        • Desabafo 1
        • Desabafo 2
        • A Cidade 1
        • A Cidade 2
      • Unit 4 >
        • Estilo Vagabundo 1
        • Estilo Vagabundo 2
        • Us Playboy 1
        • Us Playboy 2
      • Unit 5 >
        • Rio de Verdade 1
        • Rio de Verdade 2
        • Cuicas 1
        • Cuicas 2
  • Nasal Bootcamp
  • Help

Lesson 1: Coisinha do Pai

In this lesson, you will learn the song "Coisinha do Pai" by Samba matriarch, Beth Carvalho.  Carvalho was raised in a middle class family in Rio de Janeiro's South Zone. 

She started playing the guitar as a teenager, and got involved with the emerging Bossa Nova movement, winning a nationwide song contest on TV at the age of 19. After a year of Bossa Nova, she started dedicating herself entirely to samba just as she started rising to fame.

Carvalho is a very important artist in the history of samba, as she has celebrated and brought the spotlight to the work of legendary composers such as Cartola, Nelson Cavaquinho & Guilherme de Brito when they weren't receiving the attention they deserved. 

Carvalho always tried to bring underrated composers the recognition they deserve, and she is regarded as madrinha do samba (the godmother of samba). She was a driving force in the modernization of samba in the 80s, and at the same time rejected commercial pop trends in samba arrangements, preserving tradition.

Presently, Beth is working more than ever, releasing CDs and DVDs. With a career that spans 40 years, she is already a historical figure in Brazilian culture, and recognized as the female sambista with the most substantial opus in Brazil.


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Basics

Construction

Memorization

Submission



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